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Moggs
JBOD
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Joined: 20 Sep 2007
Posts: 4

PostPosted: Mon Jun 09, 2008 5:53 am    Post subject: Re: Tiered Storage Reply with quote

Ernesto Sanchez wrote:
Totally agree with ogminlo. Power and cooling are major obstacles to continuously expanding 1st tier storage to meet storage requirements. Did I forget to mention the cost of very fast FC RAID arrays. It is a positive development that we are moving beyond the basics of just implementing a SAN solution. Now we are focusing on asset management and tiered storage. This is great. Our small community, "Video IT", is maturing and learning from the larger IT community.


"Tier 1" SAN, spinning those disks at 15,000 revs per sec, is always going to be a little power hungry; but is different than "tier 2" storage for post-production (archive) data; which can be a lot more gentle on the accelerator, and accordingly burn a lot less gas...

Power and cooling is certainly an interesting question but perhaps it isn't as big a deal as some think?

Against power utilising storage:
- rising power costs

For:
- storage capacity doubles each (approx) 12 months, thus, ipso facto, if your storage requirement doubles each year, and you switch in double capacity drives every year then your power utilisation stays the same. In reality, you'll probably switch out hardware every 3-5 years, but even so, the sums are the same
- as much as power costs are going up, "greener" drive/solutions are coming in; and (dare I say, but this is of course an educated guess) will probably significantly outpace rising power costs

Thus, my argument being that making a disk-based archive (or similar) is consumes power, but that thoughts of it being a growing burden on the business are, arguably, overstated. Furthermore, if you want to have a fast post-production archive it might be the greener to go to an online archive solution now, rather than to buy a tape based solution which, if it doesn't give the functionality required, is going to end up on the scrap heap anyway.

Tape may seem like the best solution for some people, but as often is the case with cost and/or green arguments, there are a lot more factors to be taken into account than just the headline "today" figures.
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Bryson
Could work for Apple
Could work for Apple


Joined: 31 May 2005
Posts: 43

PostPosted: Mon Jun 09, 2008 10:38 am    Post subject: Reply with quote

I agree... LTO has been trouble free for us generally as well. The restore times aren't bad and even with a single drive (which I don't recommend) you can get by if you're not creating more than a few GB a day.

(a 400GB tape can last a few days/weeks in a small shop so you swap less than you might think)

Autoloaders are under $10k now (I've seen them under $5k).

I agree with the "green team" on here. Most admins aren't paying the light bill on a shop when they say, "let's add spinning drives for backup!"

I am looking into a plan to put the "most active" couple of TB on some spinning drives for "just in case" situations.

Please someone, give us tape virtualization for small shops! I want to drop a tape in and have it searchable and browse-able as a volume. (no, I don't want a Quantum "A" series lol) I want the ability to replace video tape with LTO in a paradigm that my video guys can understand for small backups and archiving video to tape.

I bring it up to companies and they all act like tape is dead. Video will revive it, I believe, as video tape decks die. The guys on this board alone are creating petabytes a year of data that can't spin forever... at least I don't wanna pay the power bills if it does.
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Ernesto Sanchez
Xsan Master
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Joined: 31 Jul 2006
Posts: 74

PostPosted: Mon Jun 09, 2008 6:54 pm    Post subject: Is HSM the Answer? Reply with quote

Bryson, I am looking for the same kind of solution. On that does not force my clients to learn a backup application. I feel this is the main reason creative shops do not use their tape libraries. It seems that Final Cut Server along with a HSM solution such as Quantum's Storage Management Solution fits the bill. It allows for data to be moved to tape libraries without end-user interaction. The client only interacts with FCS to access assets. I am in the process of setting up this solution in our lab and will report what I find.



Cheers,
Ernesto Sanchez
Senior SAN Engineer - The DR Group
O - 323.896.3416
C - 949.690.3680
ernesto@thedrgroup.com
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Bryson
Could work for Apple
Could work for Apple


Joined: 31 May 2005
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PostPosted: Mon Jun 09, 2008 8:35 pm    Post subject: Reply with quote

Thanks man, I'll look a little deeper into my developer pool too. FCS might help us if they get it rollin.

I'm gonna show your post to some of the software guys who claimed "tape is dead" lol.

peace
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mark raudonis
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Joined: 23 Sep 2005
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PostPosted: Sat Jun 14, 2008 6:58 pm    Post subject: Reply with quote

It's important to note that "back up" means different things to different people. There's a huge difference between "archive" and just "back up".

If I had to summarize all of the solutions that I've explored to date, it's that they're all too complex and too expensive for our needs. Sure, some people need absolute mission critical back up and intstantaneous restore, but in my world (video post production), that isn't critical. Often times the original master tapes are available as a "source of last resort" in the event of a total drive meltdown. So, I already have a "back up"... it's just too slow to restore in a crunch. So, we're really treading the fine line between convenience and necessity.

Also, as the recent fire at Universal Studios illustrated, you can't just assume that the vault (or your entire building) is secure. So, I'm exploring the concept of "fire insurance" back up. Ideally, this is a spindle based solution that physically lives in another building. It doesn't have to be fast, have raid redundancy, or even be elegant. It just has to be cheap and BIG! (75 terabytes) I only need it to "survive" for the duration of a project's post production schedule ( 6 months), and then it gets written over.

This kind of manual system isn't gonna excite any of the code monkeys on this board, but it will get the job done. Until Google opens up it's "G Drive" concept to this scale of data warehousing, I'm stuck in the "sneakernet" world.

Mark
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Ernesto Sanchez
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Joined: 31 Jul 2006
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PostPosted: Mon Jun 16, 2008 11:08 am    Post subject: Offsite Backup Solutions Reply with quote

Mark,

I found the following solution when I was researching offsite backup for disaster recovery. StorageDNA, http://www.storagedna.com , provides asynchrous backup. It is designed for post-production environments. I have not implemented it but I like the concept. I talked to them at NAB and they sound like the understand the needs of video post-production.
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ogminlo
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PostPosted: Thu Jun 19, 2008 8:07 pm    Post subject: Reply with quote

I know I've been an LTO guy on this thread, but an alternative worth examining is StorNext 3.X's new storage disk de-duplication capability. They don't play it up much on their product page, but one of the new features Quantum added to Storage Manager for version 3 was a software de-duplication engine. I haven't had my SAN analyzed yet to see if my video data is a good candidate for de-dupe, but if it is and the ratio is right, I would absolutely do a mezzanine disk tier before my Scalar. I figure the de-dupe disk would be nearline and the Scalar could be smaller than it otherwise would be and could be used for vaulting the oldest data that still has value. For some of you guys, this might be the trick that makes it practical to have nothing but disk.

I plan to have Quantum analyze my SAN to see what my de-dupe ratio is. I'll post results afterward.
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ogminlo
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PostPosted: Fri Oct 10, 2008 1:41 pm    Post subject: Re: Is HSM the Answer? Reply with quote

Ernesto Sanchez wrote:
Bryson, I am looking for the same kind of solution. On that does not force my clients to learn a backup application. I feel this is the main reason creative shops do not use their tape libraries. It seems that Final Cut Server along with a HSM solution such as Quantum's Storage Management Solution fits the bill. It allows for data to be moved to tape libraries without end-user interaction. The client only interacts with FCS to access assets. I am in the process of setting up this solution in our lab and will report what I find.

Cheers,
Ernesto Sanchez


Ernesto,

After testing FCSvr with Storage Manager I found that it is surprisingly easy to make FCSvr drive the HSM. Just set up the SNSM policies to manage your Archive device with immediate store and truncation and let Search Expired responses filter what goes to that Archive device. When a truncated file is requested by a FCSvr restore command, FCSvr waits patiently while SNSM automatically goes and retrieves the file blocks from tape and then copies the data back to the original asset position. The two systems don't really know about each other, but with these complimentary policies, they work well together. Best off all, the end user can recall a primary representation from SNSM with one click on the little file cabinet icon in FCSvr.


Last edited by ogminlo on Fri Oct 10, 2008 10:16 pm; edited 1 time in total
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fritz.
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Joined: 03 Oct 2007
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PostPosted: Fri Oct 10, 2008 4:12 pm    Post subject: Reply with quote

Funny, I was discussing the possibility of FCSvr and Storage Manager yesterday. I haven't had anyone bite at it yet but it's comforting to know that it can be done!
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MattG
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PostPosted: Fri Oct 10, 2008 5:32 pm    Post subject: Reply with quote

It's a lovely combo:

Two issues to consider:

1) SNSM is !(&*ing expensive.

2) The Restore Feature in FCSvr deletes the file from the Archive device upon successful transfer of the file back to its original location. Hopefully, in a future version, Final Cut Server will be able to account for an archived representation regardless of whether the Primary Representation is there or not.
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ogminlo
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PostPosted: Fri Oct 10, 2008 10:14 pm    Post subject: Reply with quote

MattG wrote:
It's a lovely combo:

Two issues to consider:

1) SNSM is !(&*ing expensive.

2) The Restore Feature in FCSvr deletes the file from the Archive device upon successful transfer of the file back to its original location. Hopefully, in a future version, Final Cut Server will be able to account for an archived representation regardless of whether the Primary Representation is there or not.


1) Depends on what you compare it to. Compared to keeping DVCam masters of our finished content, it is about 40% cheaper for us to keep files in an SNSM managed Scalar. That includes the cost of the LTO tape. Also, for very large archives (several 100s of TBs) the cost of licensing SNSM drops significantly.

2) Indeed, but this just means you have to stay on top of your fragmentation cleanup in SNSM. Annoying, but workable.
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vidiot
Knows DNS is the answer
Knows DNS is the answer


Joined: 16 May 2006
Posts: 38

PostPosted: Mon Oct 13, 2008 8:09 am    Post subject: Reply with quote

Chalk me up for SNSM and FCSvr too. We've had the 2 running together well for about a month now. It's fantastic that I don't have to go hunting and loading of files and tapes. The users just click and restore as needed. Brilliant!

To MattG's #2 point, this is really a problem. Once you've restored an asset, FCS deletes the file from the Archive Device, in this case SNSM. Which means your asset is now once again unprotected. For us, that is usually a P2 MXF camera original file.

Sure it still lives on tape in a manner of speaking, unless you clean up all the tapes.

I've asked Apple for a quote from their Professional Services team to write me a different Archive process that does *not* remove the file from the Asset device.
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Ernesto Sanchez
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PostPosted: Mon Oct 13, 2008 6:00 pm    Post subject: HSM for Backup Reply with quote

Well gents, I'm glad to see there are real deployments of FCSvr and SNMS. I'm now in the shoes of the client. I need to implement an archive solution for in the next 6-12 months. I really want to see a demonstration of the this solution. Anyone know anyone at Quantum who could set this up in the LA area?


Cheers,
Ernesto
Toybox Entertainment
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om_nick
JBOD
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Joined: 20 Apr 2009
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PostPosted: Tue May 05, 2009 12:32 pm    Post subject: Disk archiving and FCSvr. Reply with quote

There are also plugins that allow seamless archiving to a disk based archive.

Benefits:

- Assets AND metadata protected.
- Archived assets remain protected upon restore.
- Entire Productions and associated metadata can be archived with a single click.
- Scripts provided to backup FCSvr DB and proxies.

To the subject of disk based archiving:

- 2TB disks now available using same or slightly less electricity than 1TB
- New disks spin down when not in use. Green and getting greener.
- Your data is available 24/7, when you need it.
- some clustered systems automate the most error prone and labourious tasks, are self-healing, self managing. < One admin per Pb+. Whats the manual resource count for the same amount of tape?
- Metadata kept with the assets not on a separate DB on a separate Tape.

The reality is that some customers are asking for disk only, some are asking to disk nearline/tape mix. Enabling customer choice is good which is why we have created a similar integration with CatDV.

Contact me to chat or find out more.

(I have edited this post to respect the non-PR bull policy Xsantiy is known for, thanks Nick)
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bjr2
partially protected
partially protected


Joined: 25 Sep 2009
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PostPosted: Fri Oct 16, 2009 11:39 am    Post subject: Quantum, Retrospect, Final Cut Server? Reply with quote

Hi All! Me again!

So, our FCS system is running smoothly. I finally got approval to tier our SAN system. So we're ordering a G-Tech XL 16tb FC (quad) for editing, demoting our current XServe Raid SAN for broadcast and hosting, and I'm currently mulling over a quote for a Quantum LTO4 Autoloader for tape backup.

So, I've read in this thread that some are using the Quantum Autoloaders for their backup. My only question is if there's any possibility of designating the Quantum as an archive device in FCS so that the rest of the editors don't have to worry about running some script and can just archive assets within the FCS client.
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